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課程名稱 |
梅爾維爾《白鯨記》中的論述與視覺疑義
The Problematic of the Discursive and the Visual in Herman Melville's Moby-Dick |
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開課學期 |
103-1 |
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授課對象 |
文學院 外國語文學研究所 |
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授課教師 |
黃宗慧 |
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課號 |
FL8058 |
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課程識別碼 |
122 D2160 |
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班次 |
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學分 |
1 |
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全/半年 |
半年 |
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必/選修 |
選修 |
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上課時間 |
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上課地點 |
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備註 |
初選不開放。專題研究課程，上課時間另行宣布。
限博士班
總人數上限：1人 |
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課程簡介影片 |
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核心能力關聯 |
核心能力與課程規劃關聯圖 |
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課程大綱
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為確保您我的權利,請尊重智慧財產權及不得非法影印
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課程概述 |
Course Description
The course aims to investigate the discursive and the visual elements in Herman Melville’s Moby-Dick. In this novel, complicated interplay between these elements structure the narrator’s perception of the world and his cognition of the events happening on the whaling ship. Linguistic and visual theories from Michel Foucault and Jacques Lacan, together with other scholarly researches on the novel’s artistic accomplishment, will be read in order to facilitate a better understanding of the novel. |
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課程目標 |
Course Objectives
This course is designed to cultivate a critical understanding of Melville’s artistic achievement in general and his Moby-Dick in specific. Meanwhile, it is intended to assist in developing a thesis prospectus by which the student can further advance and refine thesis arguments. |
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課程要求 |
Requirements:
Regular meetings
Thesis prospectus
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預期每週課後學習時數 |
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Office Hours |
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指定閱讀 |
Assigned Readings:
Freud, Sigmund. “Delusions and Dreams in Jensen’s Gradiva.” 1907. SE 9: 1-96.
Freud, Sigmund. “Leonardo da Vinci and a Memory of his Childhood.” 1910. SE 11: 59-138.
Freud, Sigmund. “On Narcissism: An Introduction.” 1914. SE 14: 67-104.
Lacan, Jacques. Ecrits: The First Complete Edition in English. Trans. Bruce Fink. New York: Norton, 2005.
Lacan, Jacques. Encore: On Feminine Sexuality, the Limits of Love and Knowledge, 1972-1973. Ed. Jacques-Alain Miller. Trans. Bruce Fink. New York: Norton, 1998. (Seminar XX)
Lacan, Jacques. Freud’s Papers on Technique, 1953-1954. Ed. Jacques-Alain Miller. Trans. John Forrester. New York: Norton, 1991. (Seminar I)
Lacan, Jacques. The Ego in Freud’s Theory and in the Technique of Psychoanalysis, 1954-1955. Ed. Jacques-Alain Miller. Trans. Sylvana Tomaselli. New York: Norton, 1991. (Seminar II)
Lacan, Jacques. The Ethics of Psychoanalysis, 1959-1960. Ed. Jacques-Alain Miller. Trans. Dennis Porter. New York: Norton, 1992. (Seminar VII)
Lacan, Jacques. The Four Fundamental Concepts of Psychoanalysis. Ed. Jacques-Alain Miller. Trans. Alan Sheridan. New York: Norton, 1981. (Seminar XI)
Lacan, Jacques. The Psychoses, 1955-1956. Ed. Jacques-Alain Miller. Trans. Russell Grigg. New York: Norton, 1993. (Seminar III)
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參考書目 |
References:
Bryson, Norman. Vision and Painting: the Logic of the Gaze. London: Macmillan, 1983.
Davis, Robert Con, ed. Lacan and Narration: The Psychoanalytic Difference in Narrative Theory. Baltimore and London: Johns Hopkins UP, 1983.
Foster, Hal, ed. Vision and Visuality. Seattle: Bay P, 1988.
Gandelman, Claude. Reading Pictures, Viewing Texts. Bloomington and Indianapolis: Indiana UP, 1991.
Grootenboer, Hanneke. The Rhetoric of Perspective: Realism and Illusionism in Seventeenth-Century Dutch Still-Life Painting. Chicago and London: U of Chicago P, 2005.
Heidegger, Martin. “The Age of the World Picture.” The Question Concerning Technology and Other Essays. Trans. William Lovitt. New York: Harper & Row, 1977. 115-54.
Heidegger, Martin. “The Origin of the Work of Art.” Poetry, Language, Thought. Trans. Albert Hofstadter. New York: Harper & Row, 1971. 15-87.
Heidegger, Martin. “The Thing.” Poetry, Language, Thought. Trans. Albert Hofstadter. New York: Harper & Row, 1971. 163-86.
Heidegger, Martin. “The Turning.” The Question Concerning Technology and Other Essays. Trans. William Lovitt. New York: Harper & Row, 1977. 36-49.
Iversen, Margaret. Beyond Pleasure: Freud, Lacan, Barthes. University Park, PA.: Pennsylvania State UP, 2007.
Jay, Martin. Downcast Eyes: the Denigration of Vision in Twentieth-Century French Thought. Berkeley: U of California P, 1994.
Levin, David Michael, ed. Modernity and the Hegemony of Vision. Berkeley: U of California P, 1993.
Massey, Lyle. Picturing Space, Displacing Bodies: Anamorphosis in Early Modern Theories of Perspective. University Park, PA.: Pennsylvania State UP, 2007.
Merleau-Ponty, Maurice. “Cézanne’s Doubt.” Sense and Non-Sense. Trans. Hubert L. Dreyfus and Patricia Allen Dreyfus. Evanston, Ill.: Northwestern UP, 1964. 9-25.
Merleau-Ponty, Maurice. “Eye and Mind.” Trans. Carleton Dallery. The Primacy of Perception and Other Essays on Phenomenological Psychology, the Philosophy of Art, History and Politics. Ed. James M. Edie. Evanston, Ill.: Northwestern UP, 1964. 159-90.
Merleau-Ponty, Maurice. The Visible and the Invisible. Ed. Claude Lefort. Trans. Alphonso Lingis. Evanston, Ill.: Northwestern UP, 1968.
Mitchell, W. J. T. Iconology: Image, Text, Ideology. Chicago and London: U of Chicago P, 1986.
Mitchell, W. J. T. Picture Theory. Chicago and London: U of Chicago P, 1994.
Sartre, Jean-Paul. Being and Nothingness: An Essay on Phenomenological Ontology. Trans. Hazel E. Barnes. New York: Philosophical Library, 1956.
Descartes, Rene. “Optics.” The Philosophical Writings of Descartes. Trans. John Cottingham, Robert Stoothoff, and Dugald Murdoch. Vol. I. New York: Cambridge UP, 1985. 152-75.
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評量方式
(僅供參考) |
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